They do offer an excellent defense for director Schumacher, who is accused of being a “journeyman” by many, and they explain how they feel he hasn’t received the credit he is due. Restoration – Production designer Eugenio Zanetti and art director Larry Lundy give us some insight into the visual look and feel of Flatliners. The wider colour gamut is certainly the biggest plus, the reds and oranges looking especially good in the shadows, and those blue tinted scenes (thanks at times to awkwardly placed neon lights) have a wonderful intensity without blooming or coming off noisy.

Supplements are fine for what they are but it’s the incredible presentation that make this one a must for fans. The aspect of ghosts of the past coming back to haunt you is also a promising conflict for the arrogant anti-heroes content to play God, but only one of them seeks to atone for his shitty behavior. Watching Flatliners as an adult, there’s incredible beauty in the lighting, the technical approach by which Flatliners creates its unique look, and the ideas within Peter Filardi’s ( The Craft) script are quite profound when given any thought. Severin Films brings together four more Italian gothic horror films from decades past in the second volume of their Danza Macabre collection. Other topics include the striking cinematography and production design as well as how the film was shot like an action movie and the use of its Chicago locations.Film critics Bryan Reesman and Max Evry deliver an engaging and informative audio commentary filled with a steady stream of production stories, trivia and behind-the-scenes information.

There is a surprisingly small photo gallery (13 images) consisting of publicity shots and production stills. As someone who loves clever practical effects, “Visions of Light” with de Bont and chief lighting technician Edward Ayer ( Die Hard) is particularly fascinating as they discuss little things, like how they achieved the shadow affect when Nelson is sitting alone in his apartment holding his screwdriver defensively or the use of a projector to get the splintered light just so on David’s face before being confronted by younger Winnie. Nelson Wright (Sutherland, post The Lost Boys), is a medical student who lives in a millionaires all white mansion with billowing net curtains, who has a plan to find out what happens when we die. The main difference between the two formats is that the 4K UHD edition includes a 4K presentation with Dolby Vision, whereas the Blu-ray is just standard high-definition.The 4K UHD edition does not include a HD Blu-ray, so making the selection between these really depends on what your home tech is like and your personal preference. They also point out interesting aspects of the film’s look or how the look was achieved but it never seems to get past just simple observations. Although the end product arguably fails at completely pulling it off, credit should be given nonetheless to the filmmakers for at least trying to make a psychological horror flick actually be about something and explore some intriguing existential questions about this corporeal existence and our collective, deep-seated desire for something beyond.

What’s unusual about the characters in Flatliners—and this was a critique of the film when it was initially released—is that all of the characters are flawed, some far more than others. His friends, who consist of Rachel (Julia Roberts), David (Kevin Bacon), Joe (William Baldwin) and Randy (Oliver Platt) begrudgingly help him achieve his goal. Arrow Video’s 4K UHD presentation is particularly stunning with a nice bevy of bonus materials to go with it, although it’s a shame that Joel Schumacher is no longer with us to comment on it personally.Plenty has been written about Flatliners in its 32 years of wide release, but one thing stands out that I’d like to address first: it’s not as scary as one might expect. org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. Where the remake had the flatliners in an actual hospital, separating the day-to-day life and the night time adventures just to create an atmosphere, like a stage performance.

But there is something rather tame overall and its as if Schumacher is holding back on the trauma and the horror which is strange for the set up and the setting itself. For more about Flatliners 4K and the Flatliners 4K Blu-ray release, see Flatliners 4K Blu-ray Review published by Jeffrey Kauffman on August 2, 2022 where this Blu-ray release scored 4. Nevertheless, the star power headlining this prototypical early-'90s genre feature, made for a then-aging MTV generation still addicted to fast-cut pacing and fancy camera tricks, is a big part of its success at the time and remains memorable after three decades.Arrow Video’s presentation offers a new 4K restoration of the film from the original camera negative, which was finished as a 4K Digital Intermediate, approved by Jan de Bont, and graded for high dynamic range (HDR10 and Dolby Vision options are available). Visions of Light (HD; 18:23) is a 2021 interview with cinematographer Jan de Bont and chief lighting technician Edward Ayer. Audio restoration was completed at Deluxe Audio SErvices, Hollywood, sourced from the original 35mm LCRS stereo magnetic tracks. I believe that this is the same audio mix found on the Mill Creek Blu-ray, but don’t quote me on that!